20xx 届 本 科 毕 业 设 计（论 文）
论《西厢记》与《牡丹亭》中的情与礼 Affection and Etiquette in “The Romance of West
Chamber” and “The peony Pavilion”
学 院： 人文学院 专 业： 汉语言文学 姓 名： xxxxxx 学 号： xxxxxxx 指导教师： xxxxx 完成时间： xxxx年4月10日
二xxx年六月
论文题目：论《西厢记》与《牡丹亭》中的情与礼 专 业：汉语言文学
学 生：xxxx 签 名： 指导教师：xxxx 签 名：
摘要
情与礼是人性的重要组成部分，它们互为补充、相互依存，同时又矛盾重重。不同的社会状态之下，情与礼呈现出不同的状态，这一内容又集中体现在文学作品之中。《西厢记》与《牡丹亭》是中国古典戏剧的典范，虽同为爱情主题，却由于产生于不同时代，在情礼关系上呈现出不同的状态。《西厢记》产生于元代，是汉族文化极度低迷的产物，表现出情的张扬和礼的崩塌；《牡丹亭》创作于理学控制的明代，真实地反映了礼对情的禁锢。剧中作者对欲、情的肯定，则又与明中叶思想解放运动密切相关。
关键词：《西厢记》;《牡丹亭》;情与礼;人欲
Title: Affection and Etiquette in \\
Major: Chinese Language and Literature
Name:xxxxx Signature: Supervisor:xxxxx Signature:
ABSTRACT
Affection and etiquette are a very important part in humanity. They depend each other, but they are also full of contradiction. Affection and etiquette present different states under different social conditions showed in different literature works. “The Romance of West Chamber” and “The peony Pavilion” are Chinese classical representative plays. Both the two works described love, but their stories happened in different times, presenting different affection and etiquette. “The Romance of West Chamber” wrote in yuan dynasty, a result in low han literature, showing widely known affection and crumbing etiquette, while “The peony Pavilion” created in idealist philosophy controlled society, truly reflecting forbidden affection and etiquette, in which the writer praised the emotional desire connected with thoughtful liberation in middle Ming dynasty.
Key words：“The Romance of West Chamber” ; “The peony Pavilion” ; Affection and
Etiquette ; Desire
目录
前言 ............................................................................................................................... 1 1元代之前文学作品中的情与礼 ................................................................................ 1 2《西厢记》中的情与礼 ............................................................................................. 2
2.1情的萌发与礼的挣扎 ...................................................................................... 2 2.2情的反抗与礼的崩塌 ...................................................................................... 3 2.3礼对情的妥协与接纳 ...................................................................................... 4 3《牡丹亭》中的情与礼 ............................................................................................. 4
3.1生前—梦中现欲 .............................................................................................. 5 3.2游魂－死后现情 .............................................................................................. 6 3.3回生－情回归于礼 .......................................................................................... 6 4两剧中情与礼的比较 ................................................................................................ 7
4.1两剧不同的思想倾向 ...................................................................................... 7 4.2两剧不同的时代精神 ...................................................................................... 8 参考文献 ...................................................................................................................... 11 致 谢 ......................................................................................................................... 12