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Passage 1
The Art of the Elephants
If your cat walked across something you were painting and left footprints behind, would you consider your cat an artist? What if your bird held a colored pencil in its beak£¨à¹£© and painted on a piece of paper? Most people may think of animal art as a joke, but some people have been taking it very seriously.
Elephants were used for hundreds of years in Thailand¡¯s logging industry(·¥Ä¾Òµ). They moved wood from forests in areas where there were no roads. At the beginning of this century, when the forests of Thailand began to quickly disappear, the government put a stop to logging. All of a sudden, many elephants in Thailand no longer had a way to make a living.
Some elephants were treated badly. Others had to try to live on their own and couldn¡¯t find enough food to eat. There were once tens of thousands of elephants in Thailand. Today, there are less than five thousand. When two Russian American artists, Vitaly Komar and Alex Melamid, first heard about the troubled elephants in Thailand, they knew that something had to be done to forever change the way people treated Thai elephants. Then, they came up with an idea to help these elephants.
Komar and Melamid visited elephant camps in Thailand and began
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to show the elephant trainers how to teach the elephants to paint. At first, the trainers had to guide the elephants¡¯ trunks. The elephants became more comfortable doing this with practice¡ªand lots of sweet snacks¡ªand finally started to paint on their own. The strange idea that Komar and Melamid had to save the elephants actually began to work. They even helped found several elephant art schools in Thailand and in other Asian countries. The elephants and their trainers go there to learn about painting and get supplies they need.
Today, people begin to buy elephant artworks from galleries(»ÀÈ) all around the world. Some are even willing to pay more than ¡ç2,000 for the works of the elephant artists! Some people compare the cheerful, brightly-colored artworks to the works of some great abstract(³éÏóµØ) painters. Some people are just happy to buy these special and original(Ô´´µØ) artworks. Others think they are helping the troubled elephants in this way. The next time you see a piece of colorful abstract art, find out who the artist is. You just may be surprised at what you learn! 1. What may most people think of animal art?
___________________________________________________________ 2. What did elephants do in Thailand¡¯s logging industry?
___________________________________________________________ 3. How many elephants are there in Thailand today?
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___________________________________________________________ 4. What was Komar and Melamid¡¯s idea to help the elephants in Thailand?
___________________________________________________________ 5. Please list one reason why people buy elephant artworks.
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1. Most people may think of animal art as a joke.¡¾½âÎö¡¿Ï¸½ÚÀí½âÌâ¡£Ìâ¸ÉÒâΪ£º´ó¶àÊýÈ˶ÔÓÚ¶¯ÎïÒÕÊõµÄ¿´·¨ÊÇʲô£¿¸ù¾ÝµÚÒ»¶Î×îºóÒ»¾ä¡°Most people may think of animal art as a joke...¡±¿ÉÖª£¬´ó¶àÊýÈ˾õµÃ¶¯ÎïÒÕÊõÊÇЦ»°¡£
2. They moved mood from forests where there were no roads.¡¾½âÎö¡¿Ï¸½ÚÀí½âÌâ¡£Ìâ¸ÉÒâΪ£º´óÏóÔÚÌ©¹úµÄ·¥Ä¾ÒµÖдÓÊÂʲô¹¤×÷£¿¸ù¾ÝµÚ¶þ¶ÎµÚ¶þ¾ä¡°They moved mood from forests where there were no roads¡±¿ÉÖª£¬ÈËÃÇÓôóÏóÔÚûÓй«Â·µÄÉÁÖÖÐÔËÊäľͷ¡£
3. There are less than five thousand.¡¾½âÎö¡¿Ï¸½ÚÀí½âÌâ¡£Ìâ¸ÉÒâΪ£ºÏÖÈç½ñ£¬ÔÚÌ©¹úÓжàÉÙÖ»´óÏ󣿸ù¾ÝµÚÈý¶ÎµÚËľ䡰Today£¬there are less than five thousand.¡±¿ÉÖª½ñÌìµÄ´óÏóÊýÁ¿²»×ã5ǧֻ¡£
4. They showed elephants trainers how to teach elephants to paint.¡¾½âÎö¡¿Ï¸½ÚÀí½âÌâ¡£Ìâ¸ÉÒâΪ£ºKomarºÍ MelamidÏë³öÁËʲô°ì·¨À´°ïÖúÌ©¹úµÄ´óÏ󣿸ù¾ÝµÚËĶÎÊ׾䡰Komar and Melamid visited the elephant camps in Thailand and began to show elephants trainers how to teach elephants to paint.¡±¿ÉÖª,Á½È˰ݷÃÁËÌ©¹úµÄ´óÏóÓªµØ£¬²¢¸øÑµÏóʦչʾÔõÑù½Ì´óÏ󻿻¡£ 5. Some people compare the cheerful, brightly-colored artworks to the work of some great painters./ Some people are just happy to buy these special and original artworks./ Others think they are helping the troubled elephants in this way.¡¾½âÎö¡¿Ï¸½ÚÀí½âÌâ¡£Ìâ¸ÉÒâΪ£ºÇëÁоÙÈËÃǹºÂò´óÏóÒÕÊõ×÷Æ·µÄÒ»¸öÔÒò¡£¸ù¾Ý×îºóÒ»¶ÎÖС°Some people...Some people...Others...¡±¿ÉÖª,ÓÐЩÈ˰ÑÕâЩÒÕÊõ±È×÷×îΰ´ó»¼ÒµÄ³éÏóÒÕÊõ£»ÓÐЩÈ˾ÍÊÇϲ»¶¹ºÂòÕâÖÖÌØ±ðºÍÔ´´µÄ
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Passage 2 Albino Power
I was born an albino£¨°×»¯²¡»¼Õߣ© in Scranton, Pennsylvania, in 1945. No one in my family had ever known what an albino was, what it meant to be an albino, what had to be done differently because I was an albino.
My parents and friends treated me just like they treated everybody else. They was just about the best thing they could have done. It gave me a leg up on trusting myself, so when troubles came along, I could deal with them.
Truly, my schoolbook photo always looked like a snowball with two pieces of coal for eyes. Like most albinos, I had terrible eyesight, but the fact that I could hardly see didn¡¯t worry me all that much.
Kids laughed at me, calling me ¡°Whitey¡±. People stared at me when I held reading material right at the tip of my nose so I could see it well enough to read. Even when I was eight or nine, movie theater workers started asking me to pay adult prices because I ¡°looked older¡±.
The worst part for me was that because my eyesight was so bad that I
couldn¡¯t play sports very well. but I didn¡¯t give up trying. I practiced playing basketball every day. And I studied harder.